OUR JOURNEY

Since 1983 Triple A has been at the centre of First Nations media across the country. Our support for Aboriginal and Torres Strait Islander artists and arts workers, activists and community begins with grass roots fights for our rights and continues today!

Timeline Art
1980
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1989

National Indigenous Broadcast Conferences

Hosted in Brisbane and was organised by BIMA and Murrimage.

 

 

Timeline Art
1990
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1996

Launch of 'Living in Jagera'

Volume 1 CD produced by Triple A and launched at Woodford.

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1996

First outside broadcast

The first of 17 outdoor broadcasts from Gympie Muster occurs and the first outside broadcast van is launched in King George Square.

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1997

Exclusive AFL Coverage

Triple A was awarded exclusive AFL coverage in Brisbane, broadcasting three live games each weekend.

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1998

BIMA Projects

Launch of culturally-appropriate radio, print and online resources for First Nations people of Australia.

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1999

TRIPLE A Training

Established to deliver nationally accredited qualifications in media to students in remote, regional and urban areas of Australia

 

 

Timeline Art
2000
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2000

Corroboree 2000

Walk for Reconciliation, Triple A brought mob around the country together.

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2000

Sydney Olympics

Triple A held a live outside broadcast from the Sydney Olympics.

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2004

Rebrand

Radio 4 Triple A was rebranded to 98.9FM to position the station as a key player in the Brisbane media market.

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2004

Dissolution of ATSIC

This event created doubts about the future funding of Indigenous Media in Australia. Key people in the organisation went to Canberra to lobby about importance of Black Media.

 

 

Timeline Art
2010
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2012

Deadly Choices

IUIH/Deadly Choices and Triple A Partnership

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2013

20 Years

Triple A celebrates 20 years of broadcasting.

 

 

Timeline Art
2020
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2020

GLOBAL PANDEMIC

In responde to the COVID-19 global pandemic, Triple A began broadcasting critical health messaging, lock down information and facts through GPs in partnership with the Aborignal Medical Services.

 

 

Timeline Art

1982: Commonwealth Games Protests

Protest committees organised 
to fight for our rights!

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1982 Commonwealth Games
When it was announced that the 1982 Commonwealth Games were to be hosted by Brisbane, Aboriginal people became very concerned and organised a protest committee to co-ordinate activities to do with highlighting our situation in Queensland and Australia to the rest of the world.

Aboriginal and Torres Strait Islander Acts
At that time the racist and degrading Aboriginal and Torres Strait Islander Acts were still in force in Queensland and Aboriginal people understood how Jewish people must have felt when Hitler hosted the 36 Munich Olympics.

Mainstream media – Racist Reactions
The mainstream media of the day reflected the hysterical and racist reactions of the Queensland Government to Aboriginal indignation and intentions of peaceful protest.

1982: Black Nation

The first edition of “Black Nation”, a national black newspaper was printed in Brisbane in mid 1982 and distributed locally, nationally and internationally. Two subsequent editions were printed in 1982, one in 1983 and the final edition in 1985.

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1982: Rock Against Racism

This event took place just five days before the start of the Commonwealth Games in Brisbane, and all proceeds were used to support the Black protest activities during the games. Organised by Ross Watson (1944-182) and Peter Gray on behalf of Rock Against Racism (RAR) Sydney.

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1983: Indigenous Radio

In October 1983 a small group of people in Brisbane began to meet regularly to plan and prepare an Aboriginal radio program for Brisbane Blacks.

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Indigenous Radio
The 20 month time gap between the last two editions of Black Nation was filled with the development of another form of Indigenous media – radio broadcasting.

This was influenced by activities of Tiga Bayles who followed his mother’s lead in beginning Koori broadcasting in inner Sydney and the persistent encouragement of a non-Indigenous broadcaster at radio 4ZZZ, the first public broadcasters in Queensland who were then based at the University of Queensland.

1984: Murri Voices On Air

Sponsorship by the Brisbane Aboriginal and Islander Child Care Agency helped the development of the 4ZZZ project.

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The realisation that mainstream media has different priorities and (mainly private) ownership forced us to look at our own media needs. Discussions were begun with 4ZZZ and training in radio production occurred during the first half of 1984.In July 1984, the Brisbane Aboriginal and Islander Child Care Agency undertook to sponsor and develop the 4ZZZ radio project. They appointed a Community Development Officer and two trainees. Thus Murri hour began. Murri Hour was initiated by Gungalu and Birri Gubba frontline activist and coordinator of the Black Protest Committee, Ross Watson. Murri Hour aired on 4ZZZ from 1984–1993. For the initial 12 months, all programs were pre-recorded and had a maximum duration of 1 hour.
After the first month of Murri Hour (a total time of less than 3 hours because the group were not practiced enough to record the full hour for the initial few months) a total of over 30 different Murri voices were heard on the program.

For the first time, Brisbane blacks were able to hear Murri voices, Murri perspectives on issues affecting us and Murri music on the airwaves. Many people in the community used to record Murri Hour (broadcast on Saturday mornings) on their radio/cassette players, so that each program was played over and over all round our community.

Requests, birthday calls and other community announcements flooded in to the program from Murris all around Brisbane and from prisons where our people were suddenly able to exchange cheerio messages with families and loved ones.
The instantaneous effect of the spoken word on radio as opposed to the longer preparation and feedback time for printed media put Murris in tune with our oral traditions thus the long delay before the final Black Nation was printed.
After 12 months of Murri Hour, the hours were increased to a total 8 hours per week, broadcast live.

The Backbone of Murri Radio
Glenice Croft (nee Barney) and her daughters, Michelle, Erin and Janine and sons Shane and Matthew were part of Murri Hour, (and the Black Women’s Film Group) from 1984 until 1991, by which time the Triple A licence had been achieved, and they must be acknowledged as the back bone of Murri Radio throughout those years.

1986: Australian Broadcast Tribunal

Late in 1986 an Expression of Interest form for the acquisition of a Special Interest broadcast licence was prepared and submitted.

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Late in 1986 an Expression of Interest form for the acquisition of a Special Interest broadcast licence was prepared and submitted to the Australian Broadcasting Tribunal (ABT). The completion of this form required the Murri Hour group to become an incorporated body. This process was assisted by the Caxton St Legal Centre and was eventually achieved in early 1988. There was no response to our “Expression of Interest” form. It merely registered our interest to the ABT.

Murriimage
The Black Women’s film group did not achieve funding and it eventually re-formed as Murriimage and initially was incorporated with Murri Hour group as the Brisbane Indigenous Media Association (BIMA).

Incorporation
However, because of separate submissions and DAA funding restrictions, it soon became necessary for Murriimage to incorporate under their own banner. Murri Hour group shared offices and activities with Murriimage for years.

Murri News
Murri Hour group produced about a dozen copies of Murri News, a weekly black newsletter that was distributed around the Murri community during 1986/7.

 

1988: BIMA Incorporated

BIMA became incorporated in 1988 and was the first Aboriginal Radio Station in a capital city.

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1989: National Indigenous Broadcast Conferences

Hosted in Brisbane and was organised by BIMA and Murrimage.

Timeline Art

1990: Aboriginal licence

The area of special interest most deserving of a licence was determined as Aboriginal by the ABT.

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There were 4 separate applications for the Special Interest Licence – one from a consortium of Queensland and Griffith Universities for the special interest to be education, one from the QUT for the purpose of education, one from Family Radio for religion and the BIMA application for the area of special interest to be designated as Aboriginal.
The process for determining a contested licence application was long and protracted. There were several hearings and various exchanges of relevant documents and requests for papers and documents required by different applicant groups of other contesting groups.
However, early in 1990 the ABT determined that the area of special interest most deserving of the licence was Aboriginal.

The Family Radio group immediately appealed their decision in the Federal Court. Before the second of these appeal hearings, the newly appointed ATSIC board (5 or 6 members -DAA had just been done away with) cancelled BIMA’s funding to pay our solicitors to complete the appeal process.

A car was hired and four BIMA people drove to Melbourne where an ATSIC meeting was being held. Melbourne Kooris attended the meeting to support BIMA’s funding submission. BIMA was eventually allowed to address the (appointed) commissioners on our submission and the funding was restored.

1991: Final Hearing

The Family Radio appeal was eventually disallowed by the Federal Court and the ABT held it’s final hearing in Brisbane about mid 1991.

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1993: 4AAA Goes to air

On 6th April 1992, radio 4AAA went to air under our own Aboriginal broadcasting licence.

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1996: Launch of 'Living in Jagera'

Volume 1 CD produced by Triple A and launched at Woodford.

1996: First outside broadcast

The first of 17 outdoor broadcasts from Gympie Muster occurs and the first outside broadcast van is launched in King George Square.

1997: Exclusive AFL Coverage

Triple A was awarded exclusive AFL coverage in Brisbane, broadcasting three live games each weekend.

1998: BIMA Projects

Launch of culturally-appropriate radio, print and online resources for First Nations people of Australia.

1999: TRIPLE A Training

Established to deliver nationally accredited qualifications in media to students in remote, regional and urban areas of Australia

Timeline Art

2000: Corroboree 2000

Walk for Reconciliation, Triple A brought mob around the country together.

2000: Sydney Olympics

Triple A held a live outside broadcast from the Sydney Olympics.

2003: Let’s Talk

Developed as a national flagship talkback show. The show was developed to fill the void in Indigenous Current Affairs & provide a vehicle for First Nations mob around the country to participate in informed debate about issues affecting First Nations Mob.

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2004: Rebrand

Radio 4 Triple A was rebranded to 98.9FM to position the station as a key player in the Brisbane media market.

2004: Dissolution of ATSIC

This event created doubts about the future funding of Indigenous Media in Australia. Key people in the organisation went to Canberra to lobby about importance of Black Media.

2004: Cape York Media Pathways

Media training delivered across the Cape and communities.

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2007: National Apology

Prime Minister Kevin Rudd delivered a national apology, a key highlight as the country took a step towards Reconciliation

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2011: New Building

Triple A opens a new building in West End

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2012: Celebrating 40 Years & 30 Years

To celebrate 40 Years of the Aboriginal Tent Embassy Lets Talk is broadcasted live from Canberra. 30 Years since the 1982 Games and Protests is also celebrated.

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2012: Deadly Choices

IUIH/Deadly Choices and Triple A Partnership

2013: 20 Years

Triple A celebrates 20 years of broadcasting.

2014: Let’s Talk Panels

Focused discussions on Decolonisation, Police Brutality, Stolen Wages, Treaty, Incarceration

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2018: I Heard it on the Radio

A QLD State Library exhibition featuring newly commissioned digital stories, never-before-seen photographs, historical documents and radio station ephemera. I heard it on the radio looks at 25 years of 98.9FM Murri Country and its influence in giving a voice to Aboriginal and Torres Strait Islander people on the radio.

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Timeline Art

2020: lost daylight documentary

Triple A Vision produced a documentary on the life of Aunty Dawn Daylight. The film has been a finalist in several festivals and won the 2022 First Nations Film Maker Award at the West End Film Festival.

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2020: GLOBAL PANDEMIC

In responde to the COVID-19 global pandemic, Triple A began broadcasting critical health messaging, lock down information and facts through GPs in partnership with the Aborignal Medical Services.

2021: Rebrand Back To Triple A

98.9FM Murri Country Rebranded back to Triple A, and organisation repositions itself as a full suite media agency.

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2021: Brisbane Blacks Live

Triple A events delivers the inaugural Brisbane Black Live music festival.

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2022: Brisbane NAIDOC Ball

Triple A events delivers Brisbane NAIDOC Ball celebrating black excellence in the South-East Queensland community.

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2023: 30 Years


Triple A celebrates 30 years of broadcasting and reveals new brand artwork “Empowering Movements” by Nunukul woman Casey Coolwell-Fisher.

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